The bidding war for Warner Bros. enters its final stretch. Plus: Presidents Day box office, SAG-AFTRA talks, Spirit Awards, and why micro-dramas are a billion-dollar problem.
Hollywood finally got a week that felt less defensive. Theaters have a real hit on the board, another ambitious film still drawing crowds, and just enough momentum for executives to talk about growth again instead of only cuts. None of that cancels Sony’s layoffs, the labor question, or the fight...
The market this week is drawing a harder line than it used to. Buyers still want IP, but they increasingly want it to arrive either pre-legitimized by prestige, talent, or institutional weight, or pre-scaled by franchise logic and audience behavior. That is why A24 moved early on Patrick Radden Keefe’
Netflix folds. Paramount wins WBD. A Knight of the Seven Kingdoms sticks the landing. Project Hail Mary first reactions are extraordinary. And Glen Powell's new movie is dead.
Netflix walks away. Paramount wins. The merger that changes everything — plus Tayari Jones, a Trotsky thriller, and a video game franchise finally going live-action.
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